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In a cinematic ecosystem with ballooning budgets, the cannibalization of previously established properties, the influence of a film’s performance on its distributor's streaming partner, and its potential in increasingly unpredictable award season races, studios seem to be looking for very specific genres that seem to genuinely be successful. It’s no big secret that in a cinematic industry seems to be caving to the pressures of the “streaming wars,” and that we will likely be facing an entirely new version of the marketplace in the wake of the writer’s strike.
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